But it’s more important to praise the film than protect it from spoilers, so let us offer accolades to the great Mary Elizabeth Winstead, who turned in a great villain performance before she became the sought-after supporting actor she is today. If you’re one of the many who haven’t seen it, you should probably forget you even saw this entry, as it spoils the big twist. The charming teen flick Sky High is the most unjustly overlooked work of our two-decade-old superhero boom. Gwen Grayson / Royal Pain (Mary Elizabeth Winstead) - Sky High Let’s go into the secret lair, shall we?Ģ5. There are quite a lot of generic Big Bads out there, but the finest ones are often even more exquisite than the folks we’re supposed to be rooting for.
#DEFINE SUPERVILLAINY HOW TO#
And finally, they have to be played by actors who know how to light up the screen. They also have to be remarkable in the screenplay - they usually reflect something relevant back at their respective heroes and have a clever (and at least somewhat intelligible, which is all too rare) master plan. The great ones are visually interesting - that doesn’t necessarily mean a costume, just character design that leaves an impression and expresses what the person is all about. In searching for our winners, we generally looked at three criteria that are essential to top-flight mega-nasties.
#DEFINE SUPERVILLAINY MOVIE#
Our stipulations were as follows: Each character had to be one of the primary antagonists in a superhero movie (meaning we didn’t include larger-than-life villains in non-superhero movies, e.g., Hannibal Lecter) that had a theatrical release (sorry to all the straight-to-video releases and TV movies out there). We proudly present to you a definitive list of the 25 best movie supervillains of all time. Jordan’s Erik Killmonger, and we felt the time was ripe to see how where he fits in the ultra-baddie canon. Marvel Studios’ Black Panther just introduced one of the best of the best in Michael B. The genre is unstoppable at the box office, and it wouldn’t have gotten as big as it is today without solid supervillainy.
These days, superhero fiction still thrives in the four-color page, but far more people find their tales of costumed adventuring on the silver screen. Clad in a distinctive outfit (a white one-piece that evoked both a doctor’s coat and a ball gown), prone to arrogant monologuing, and bent on conquering the world, he began a proud tradition of over-the-top antagonism. Only in 1938 did Superman finally meet a foe truly worthy of his time: the mad scientist known as the Ultra-Humanite. For the next dozen issues, he faced petty criminals. 1 launched the superhero genre by introducing Superman and pitting him against … the abstract concept of malfeasance in the criminal justice system (he delivered a signed confession that exonerated a woman about to be executed for murder). It took a surprisingly long time for the first superhero to meet the first supervillain.
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